In the middle of another masterpiece, Leonardo da Vinci laid down his brushes and oils to answer the knock at the door. There stood a neighbor who was having trouble with the water line at his house. He wondered if the great Leonardo—a genius who seemed to know something about everything—could take a look at it. The artist walked away from his easel, picked up his tools, and followed the distressed man home. We assume the pipes got repaired, but alas, to this day that masterpiece stands unfinished.
Samuel Taylor Coleridge is said to have had gifts rivaling Shakespeare. On one occasion in the summer of 1797 while in poor health, Coleridge awakened from sleep with a lengthy poem filling his mind, the verses already worked out and needing only to be written down. He feverishly set himself to writing each line before the poem slipped away. Then, there came a knock at the door. Later in his notes, he refers to his visitor as “a man from Porlock” and gives no clue as to why he came or what took place. He returned to the poem an hour later, only to find that while he still retained a vague recollection of the vision, the rest had vanished like the morning mist. The work is Coleridge’s “Kubla Khan.”
Interruptions. What to do with them. They are the bane of everyone trying to get his work done—and the means of Heavenly visitations when we know how to recognize them. Therein lies the dilemma: how to discern whether the interruption is an opportunity or an obstacle. Will it take us from our work or bring us to our real work?