Billy and Ruth Bell Graham. Clifford Stine. Brad Bradford. Jimmy Draper. And Mama Rose.
The Billy Graham organization sends out a prayer card with the famous evangelist’s photo and dates of telecasts so we can pray. I post it on the fridge with a magnet and almost daily pray for him. I have told here of the time Dr. Graham spent an hour or more in my office, just before the funeral of his beloved friend Dr. Grady Wilson. As we chatted, I asked myself, “Do you pray for this man?” Realizing I didn’t, I asked why not. My answer was the weakest thing: “He’s a world-wide evangelist. And I’m only one person.” Instantly, something inside me said, “And do you know anyone who is two?”
Ever since, I’ve prayed for Billy Graham. Even if–and perhaps because–he is a world-famous Christian leader, he needs the prayers of God’s people. Particularly, in these days since the homegoing of his wife Ruth, I’ve lifted him up.
Monday night, I decided to type in the name “Clifford Stine” to a movie-star search engine and see what came up. Sometime in the early 1970s when I was on staff at the First Baptist Church of Jackson, Mississippi, I met this gentleman. He and his wife joined our church, and if memory serves me correctly, I baptized them. They were retiring from the motion picture industry in Hollywood, his wife had relatives in Jackson, and so they moved there. I picked his brain somewhat about what movies he had worked on and still recall the answers.
He was not an actor, but a director of photography and sometimes director of special effects, spending his whole career with Universal. The first movie he worked on was King Kong. Really. And in the 1950s when Universal was turning out all those scary sci-fi movies, Stine directed special effects on them. “The way we did the ‘Incredible Shrinking Man,'” he said, “was by making larger and larger furniture.” Low-tech by modern standards, but hey, it worked.
So, last night, his name came up and I learned that, yes, he worked on King Kong in 1933 as “the second assistant camera.” He was 27 at the time. He worked on Gunga Din, Spartacus, Patton, The Hindenburg, two Abbott and Costello movies (“Meet the Mummy” and “Go to Mars”), and Doris Day’s Pillow Talk. And about fifty others.
Continue reading →